A spatial design framework for wing chun interactive art installations based on grounded theory

Yan He; Nazlina Shaari; Irwan Syah MdYusoff

doi:10.57239/PJLSS-2025-23.1.00491

Author(s)

Yan He Department of Industrial Design, Faculty of Design and Architecture, Universiti Putra Malaysia,43400 Serdang, Selangor,Malaysia

Nazlina Shaari Department of Industrial Design, Faculty of Design and Architecture, Universiti Putra Malaysia,43400 Serdang, Selangor,Malaysia

Irwan Syah MdYusoff Faculty Of Human Ecology, Universiti Putra Malaysia,43400 Serdang, Selangor,Malaysia

Abstract

This study aims to construct a design framework for Wing Chun interactive art installations using grounded theory to enhance user experience and promote the transmission of Wing Chun culture. The research background highlights the challenges faced in traditional cultural heritage, particularly the decline of Wing Chun techniques and the lack of successors. Through indepth interviews, feedback was collected from young users, installation operators, and Wing Chun inheritors. The data were analyzed using grounded theory's open coding, axial coding, and selective coding methods. The findings indicate that four dimensions-material space, spiritual space, social space, and commercial space-significantly impact user experience and cultural transmission. This study proposes specific optimization strategies to enhance the educational value and cultural influence of the interactive art installation, fostering the sustainable development of Wing Chun culture. The research results offer new perspectives and methods for the preservation of Wing Chun heritage, providing important theoretical and practical implications.

Publication Details

Page(s) 6307-6317

DOI 10.57239/PJLSS-2025-23.1.00491

Published Journal: Pakistan Journal of Life and Social Sciences, Volume: 23, Issue: 1, Year: 2025

Request the full text from PASTIC

Keywords

Grounded Theory, User Experience, Wing Chun interactive Art installation, Cultural transmission, Spatial design

References

Bianconi F.,Filippucci M.,Cornacchini F.,Meschini M.,Mommi C. .2023 .Cultural heritage and virtual reality: Application for visualization of historical 3D reproduction. The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, 48 : 203-210.

Chen X.,Ibrahim Z. .2023 .A comprehensive study of emotional responses in AI-enhanced interactive installation art. Sustainability, 15(22) : 15830.

Ding W.,Guo T. .2023 .Culture and computing. HCII 2023. Lecture notes in computer science, 14035(0) : 8.

Heath H.,Cowley S. .2004 .Developing a grounded theory approach: A comparison of Glaser and Strauss. International Journal of Nursing Studies, 41(2) : 141-150.

Heibeck F.,Hope A.,Legault J. .2014 .Sensory fiction: A design fiction of emotional computation. , : 35-40.

Kolstee Y.,Alem L. .2013 .Human factors in augmented reality environments. , : 11-206.

Li J.,Sun G.,Tang C.,Chen W.,Yang W.,Kou W.,Ruan Z.,Ma W.,Nie X. .2024 .Silk Road journey: A real-time AI-based interactive art installation for Silk Road cultural reenactment and experience. Extended Abstracts of the CHI Conference on Human Factors in Computing Systems, : .

Manovich L. .2001 .The language of new media. , : .

Miles M. B.,Huberman A. M. .1994 .Qualitative data analysis (2nd ed. Sage Publications., : .

Milgram P.,Kishino F. .1994 .A taxonomy of mixed reality visual displays. IEICE Transactions on Information and Systems, 77(12) : 1321-1329.

Peppler K. .2013 .New opportunities for interest-driven arts learning in a digital age. Wallace Foundation., : .

Bengtsson Ryan,L. Ryan .2012 .Re-negotiating social space: Public art installations and interactive experience (Doctoral dissertation. , : .

Tekinbas Salen,Zimmerman K.,E. K. .2003 .Rules of play: Game design fundamentals. , : .

Shen D.,Guo H.,Yu L.,Ying J.,Shen J.,Ying S.,Bao D.,Wang Y. .2022 .Sound design of Guqin culture: Interactive art promotes the sustainable development of traditional culture. Sustainability, 14(4) : .

South China Morning Post. .2024 .-flock-hong-kongs-pop-culture-festival-celebrating-impact-kung-fu-city. Retrieved, 300 : .

Terracciano A.,Dima M.,Carulli M.,Bordegoni M. .2017 .Mapping memory routes: A multisensory interface for sensorial urbanism and critical heritage studies. Proceedings of the 2017 CHI Conference Extended Abstracts on Human Factors in Computing Systems, 353 : 356.

Zhou A. L.,Zhang K. .2023 .Shanshui journey: Using AI to reproduce the experience of Chinese literati ink paintings. Leonardo, 57(5) : 02345-378.